Farren van Wyk
Winter 2026 Cycle – Photography
South Africa & the Netherlands farrenvanwyk.xyz
The Last Supper, analogue kodak TMAX 400 film, 120mm,
Marck-Anthony & Benjamin, analogue kodak TMAX 400 film, 120mm
Boycott Outspan Bloodoranges, analogue kodak TMAX 400 film, 120mm
Overalls, analogue kodak TMAX 400 film, 120mm
The Whole Picture (by Alice Proctor), analogue kodak TMAX 400 film, 120mm
Benjamin & Farren, analogue kodak TMAX 400 film, 120mm
Wasps, analogue kodak TMAX 400 film, 120mm
Marck-Anthony's Durag, analogue kodak TMAX 400 film, 120mm
Alexander & Benjamin, analogue kodak TMAX 400 film, 120mm
Alexander, analogue kodak TMAX 400 film, 120mm
Artist Statement Biography
Farren van Wyk’s practice is a homecoming away from home, the meeting of two worlds and the space where she connects to the African diaspora.
The history between South Africa and the Netherlands is built on colonialism, slavery and apartheid. Through portraiture, she unravels the intertwined narratives that span centuries, exploring and connecting people, places, movements, personal history and memories. Photography is her medium to translate the relationship between my two homes. Creating her own iconography as a woman of colour between Africa and Europe.
Farren van Wyk’s practice is a homecoming away from home, the meeting of two worlds and the space where she connects to the African diaspora.
The history between South Africa and the Netherlands is built on colonialism, slavery and apartheid. Through portraiture, she unravels the intertwined narratives that span centuries, exploring and connecting people, places, movements, personal history and memories. Photography is her medium to translate the relationship between my two homes. Creating her own iconography as a woman of colour between Africa and Europe.
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