Terry A. Ratzlaff is an artist and educator living in Lincoln, Nebraska. His particular obsession with trains and time–and the point in which these phenomena collide–informs his current artistic research on time, vision, and modernity. Working primarily in photography and book form, his work emphasizes the sequence over the singular image to better deconstruct modern perceptions of time, history, technological progress and its adversarial effects on human consciousness. He operates a small imprint, The Basement Window, making small edition artist books and boxes. He received his MFA from the University of Nebraska-Lincoln and is currently Assistant Professor of Photography and Digital Media & Photography at Nebraska Wesleyan University.

George Goodnow (they/them) is an artist based in Australia. Their practice ranges from painting and public murals, to sculpture and site-specific installations. Across their practice, Goodnow’s work focuses on relationships between people and built environments to explore themes of memory and queerness. They are interested in how objects hold memories, and how architecture reflects, orientates and holds bodies. Their work combines pattern and realism to record moments from everyday life and deconstruct experiences of space.
 
Goodnow has exhibited nationally and internationally, including at Ki Smith Gallery (New York), Science Gallery (Melbourne), Waiting Room - Sydney Sexual Health Centre (Sydney), Wollongong Art Gallery (Wollongong), Platform Arts (Geelong), The University of Newcastle Gallery (Newcastle) and Art Not Apart (Canberra).