Shane Rocheleau

Fall 2025 Cycle – Photography
Richmond, VA  shanerocheleau.com

All Images from 'This Most Monstrous Food', 2023 - Present


01-On-a-Hill-near-St.-Marys-KS-Shane Rocheleau-innovate-grant

On a Hill near St. Mary's KS, 2024

02-Diorama-at-the-Archway-Memorial-Shane Rocheleau-innovate-grant

Diorama at the Archway Memorial, 2024

03-Bonneville-Salt-Flats-UT-Shane Rocheleau-innovate-grant

Bonneville Salt Flats, UT, 2023

04-Albert-Fishs-Childhood-Homes-at-the-Eisenhower-Memorial-Shane Rocheleau-innovate-grant

Albert Fish's Childhood Homes at the Eisenhower Memorial, 2025

05-Emma-Ames-and-Katey-Casper-WY-Shane Rocheleau-innovate-grant

Emma, Ames, and Katey, Casper WY, 2023

06-Serial-Killing-Cannibal-Arthur-Shawcross-Apartment-Rochester-NY-Shane Rocheleau-innovate-grant

Serial Killing Cannibal Arthur Shawcross' Apartment, Rochester NY, 2025

07-Motel-Elko-NV-Shane Rocheleau-innovate-grant

Motel, Elko, NV, 2023

08-Jack-Shane Rocheleau-innovate-grant

Jack, 2023

09-Panning-for-Gold-South-Pass-City-WY-Shane Rocheleau-innovate-grant

Panning for Gold, South Pass City WY, 2023

10-Indigenous-Figure-with-Swastika-Shane Rocheleau-innovate-grant

Indigenous Figure with Swastika, 2024

Andrew-Jacksons-Birthplace-Shane Rocheleau-innovate-grant

Andrew Jackson's Birthplace, 2025

Camille-Shane Rocheleau-innovate-grant

Camille, 2023

Death-and-Commerce-Knolls-UT-Shane Rocheleau-innovate-grant

Death and Commerce, 2023

Devils-Gate-as-Sweep-Shane Rocheleau-innovate-grant

Devil's Gate as Sweep, 2023

Do-not-tell-the-white-people-about-this-or-Ghost-Dance-at-Infinite-Remove-Shane Rocheleau-innovate-grant

"Do not tell the white people about this"; or, Ghost Dance at Infinite Remove, 2024

Irrigation-Pipes-near-Douglas-WY-Shane Rocheleau-innovate-grant

Irrigation Pipes near Douglas, WY, 2023

Artist Statement Biography

Cannibalism…is the consuming of another’s life for one’s own private purpose or profit. -Jack Forbes

For This Most Monstrous Food, I’ve sought historical American violence and its relationship to the present. Unlike photographers such as Watkins & O’Sullivan—who forged a myth of the West—I hope to instead make visible that myths blind. I’ve visited monthly-rate motels and former homes of Presidents, serial killers & cannibals. I’ve photographed dioramas & re-enactors staging half-truths & fictions upon stolen land. I’ve also followed the Donner Party’s migration.

In 1846, the Donner Party followed their Manifest Destiny westward. Waylaid by blizzards, they got stuck beneath the Sierra Nevadas. Before spring, half died. Survivors cannibalized the deceased. This event epitomizes U.S. history and—but for a change of course—foretells its future.

Historically, the U.S. has more cannibals and serial killers than any other industrialized nation. A Menominee tribal member once told me, “All Presidents are Serial Killers.” Indeed, Presidents have displaced & murdered—Genocided—the indigenous here. An archetypal psychopath sits upon the seat of American Power.

Like Indigenous Figure with Swastika, I want to convey that the manifold stories of U.S. violence must also be told as a single, relational history. At The Eisenhower Memorial, bronze figures flank a relief of Africa. Serial-killing cannibal Albert Fish grew up on this memorial’s site and bore witness from here to the birth of the Gilded Age.

Absent the Gilded Age, there would neither have been Lange’s Migrant Mother. Income inequality also reigns now. Can a mother in Casper, WY symbolize resiliency & hope while flanked by children whose birth lottery forecloses access to fundamental rights? How many tourists Panning for Gold will connect their recreation to cruel deprivations borne by privatized resources, or to Genocide? How many have even been educated to do so?

I believe in compassion and the power of an honest reckoning with history. Many of us wish to know Truth, to cease enabling and reenacting deceptive & destructive—indeed, blinding—national mythologies. Photography compels me to commune with Others. This is a gift, for I’m reminded that most Americans are generous & gracious souls. They are reason enough to fight for a United States built on care rather than violence. This Most Monstrous Food is my salvo in this existential fight.

Cannibalism…is the consuming of another’s life for one’s own private purpose or profit. -Jack Forbes

For This Most Monstrous Food, I’ve sought historical American violence and its relationship to the present. Unlike photographers such as Watkins & O’Sullivan—who forged a myth of the West—I hope to instead make visible that myths blind. I’ve visited monthly-rate motels and former homes of Presidents, serial killers & cannibals. I’ve photographed dioramas & re-enactors staging half-truths & fictions upon stolen land. I’ve also followed the Donner Party’s migration.

In 1846, the Donner Party followed their Manifest Destiny westward. Waylaid by blizzards, they got stuck beneath the Sierra Nevadas. Before spring, half died. Survivors cannibalized the deceased. This event epitomizes U.S. history and—but for a change of course—foretells its future.

Historically, the U.S. has more cannibals and serial killers than any other industrialized nation. A Menominee tribal member once told me, “All Presidents are Serial Killers.” Indeed, Presidents have displaced & murdered—Genocided—the indigenous here. An archetypal psychopath sits upon the seat of American Power.

Like Indigenous Figure with Swastika, I want to convey that the manifold stories of U.S. violence must also be told as a single, relational history. At The Eisenhower Memorial, bronze figures flank a relief of Africa. Serial-killing cannibal Albert Fish grew up on this memorial’s site and bore witness from here to the birth of the Gilded Age.

Absent the Gilded Age, there would neither have been Lange’s Migrant Mother. Income inequality also reigns now. Can a mother in Casper, WY symbolize resiliency & hope while flanked by children whose birth lottery forecloses access to fundamental rights? How many tourists Panning for Gold will connect their recreation to cruel deprivations borne by privatized resources, or to Genocide? How many have even been educated to do so?

I believe in compassion and the power of an honest reckoning with history. Many of us wish to know Truth, to cease enabling and reenacting deceptive & destructive—indeed, blinding—national mythologies. Photography compels me to commune with Others. This is a gift, for I’m reminded that most Americans are generous & gracious souls. They are reason enough to fight for a United States built on care rather than violence. This Most Monstrous Food is my salvo in this existential fight.

Meet the Artist

Shane Rocheleau

DSC07693-Shane Rocheleau-innovate-grant

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