Kevin Driscoll

Winter 2024 Honorable Mention – Art
Berlin, Germany kevin-driscoll.com

Innovate Grant Honorable Mention Kevin Driscoll

A Monument to Contemporary Architecture, 2024,
Cold-Formed Steel Structural Members, foam and spray paint on a wood plinth, 70 x 120 x 300cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

A Monument to Contemporary Architecture, 2024,
Cold-Formed Steel Structural Members, foam and spray paint on a wood plinth, 70 x 120 x 300cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

A Monument to Contemporary Architecture (detail), 2024,
Cold-Formed Steel Structural Members, foam and spray paint on a wood plinth, 70 x 120 x 300cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Temporary Wall, 2024,
Cold-Formed Metal Framing, sheetrock, joint compound, typical wiring in metal construction, combination switch and receptacle, light fixure & 60W IKEA Solhetta LED, 180 x 200 x 10cm, photo by Leander Rambichler-Praxmarer

Innovate Grant Honorable Mention Kevin Driscoll

Temporary Wall, 2024,
Cold-Formed Metal Framing, sheetrock, joint compound, typical wiring in metal construction, combination switch and receptacle, light fixure & 60W IKEA Solhetta LED, 180 x 200 x 10cm, photo by the artist

Innovate Grant Honorable Mention Kevin Driscoll

What They Carry, 2023,
Common construction materials, 30 x 42 x 6 cm each, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Temporary Solution, 2023,
Corrugated plastic and aluminum, 90 x 60 x 200 cm, photo by Alex Sfeo

Innovate Grant Honorable Mention Kevin Driscoll

Frontend Development, 2023,
Poured concrete, spray paint, plaster, dirt, aluminum frame, 60 x 85 x 60 cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Oranienstraße 6, 10997 Berlin, Spray paint on concrete, bathroom tile, gypsum board, wood, framed with aluminum, 61 x 101 x 7 cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Recycling Naratives, Kunstraum Bethanien, Berlin, Germany, Leander Rambichler-Praxmarer

Innovate Grant Honorable Mention Kevin Driscoll

Markbarkeitstudien, GLUE, Berlin, Germany, Photo by artist (Erika Krause, Vanessa Henn & Sebastian Gräfe also pictured)

Innovate Grant Honorable Mention Kevin Driscoll

I hate the word 'techtonic', 2023, Aluminium, PVC, 17x17x17cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

What they carry 01 (series), 2023, PVC and aluminium framing, 30 x 42 x 6 cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

What they carry 02 (series), 2023, Poured concrete, steel cables, aluminum framing, 30 x 42 x 6 cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

What they carry 03 (series), 2023, Bathroom tiles and aluminium framing, 30 x 42 x 6 cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Marble, 2023, Common brick, sand lime brick, concrete, spray paint, plaster, dirt, silicon, on a wood plinth, 25x25x90cm, Photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Off the wall for you to see, 2023, Common brick, concrete, spray paint, plaster, dirt, silicon, framed, 60x85x6cm, Photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

Shadows, 2023, Spackle and spray paint on wood panel, 254 x 150 x 4cm, Photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

The first impression, 2023, Poured concrete on spray paint, 40x50cm, photo by artist

Innovate Grant Honorable Mention Kevin Driscoll

First impression 02 (series), 2023, Spackel and spray paint on poured concrete, 21x30cm, Photo by artist

Artist Statement

Kevin Driscoll (b.1987) is an artist originally from Boston, Massachusetts, who currently lives and works in Berlin, Germany.
 
Driscoll’s practice revolves around the use of various construction techniques and architectural details as a way to rearticulate the physical world. Within his research, he aims to constantly learn, acquire new skills and become more familiar with materials and techniques that allow him to translate his ideas into physical works of art.
 
Using his practice as a means of self reflection, his works often acknowledge the idea of emotional history embedded within materials and the unique associations they present for each viewer. His work celebrates the complexity of past and experience, in turn, leading us to reflect on our own journeys, injecting his works with our own meaning.
 
By using common materials familiar to all viewers, Driscoll questions the morals of art and the importance put on seemingly useless objects as they compare to their functional counterparts seen throughout our cities as temporary inconveniences. Through this exploration, he seeks to highlight various details that are both essential and absurd in our built environment.

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