Erekle Chinchilakashvili
Winter 2025 Cycle – Art
Budapest, Hungary ereklech.com
Late Encounter with the Idol, 2025, Oil on Wood, 35x30 cm, photo by the artist
Born from the Green Waters, 2024, Oil on Wood, 30x35 cm, photo by the artist
Flowers for the Idols, Oil on Wood, 30x35 cm
Birth of a Memory, Oil on Canvas, 60x50 c
Dog's Dream, 2024, Oil on Linen, 60x50 cm, photo by the artist
Archive of Absence, Installation, 2023, size variable, photo by Julianna Nyiri
Archive of Absence, Installation, 2023, size variable, photo by Julianna Nyiri
Prayer of the One who is Afraid in the Forest, 2024 Installation, size variable, photo by Julianna Nyiri
Slow Sun, The Why Not Gallery, Tbilisi, Georgia
Photos by Sera Dzneladze
Slow Sun, The Why Not Gallery, Tbilisi, Georgia
Photos by Sera Dzneladze
Slow Sun, The Why Not Gallery, Tbilisi, Georgia
Photos by Sera Dzneladze
Slow Sun, The Why Not Gallery, Tbilisi, Georgia
Photos by Sera Dzneladze
Slow Sun, The Why Not Gallery, Tbilisi, Georgia
Photos by Sera Dzneladze
Artist Statement Biography
Erekle Chinchilakashvili is a Georgian multidisciplinary artist based in Budapest. His work focuses on the intersections of reality and imagination, exploring the fragility of human perception and its ongoing transformation. He engages with various media, including painting, installation, found objects, and video to examine issues of individual and collective memory. By combining diverse visual materials, he constructs new pseudo-realities: these layered memory spaces are saturated with emotion and attempt to invite a confrontation with the viewer, offering the dual possibility of revelation and transformation of experience.
Erekle Chinchilakashvili is a Georgian multidisciplinary artist based in Budapest. His work focuses on the intersections of reality and imagination, exploring the fragility of human perception and its ongoing transformation. He engages with various media, including painting, installation, found objects, and video to examine issues of individual and collective memory. By combining diverse visual materials, he constructs new pseudo-realities: these layered memory spaces are saturated with emotion and attempt to invite a confrontation with the viewer, offering the dual possibility of revelation and transformation of experience.
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